Thrown tin glazed white stoneware with handpainted metallic oxide slip
decoration.
Michelle Erickson’s contemporary versions of a 17th century English Delftware drinking vessel called a ‘caudling cup’.. Erickson adapts the 17th century sentiments of “ GOD SAVE THE QVEEN” and “BEE MERRY BOYES” to decry the 21st century civil liberties of the LGBTQ community.
decoration.
Michelle Erickson’s contemporary versions of a 17th century English Delftware drinking vessel called a ‘caudling cup’.. Erickson adapts the 17th century sentiments of “ GOD SAVE THE QVEEN” and “BEE MERRY BOYES” to decry the 21st century civil liberties of the LGBTQ community.
Excerpt from the annual journal Ceramics In America 2018
Robert Hunter
Michelle Erickson DISTILLED
“Michelle Erickson is internationally recognized for her mastery of colonial-era ceramic techniques used in her creation of twenty-first-century social, political, and environmental narratives. As a ceramic artist, she transcends the past and present with an unparalleled understanding of period ceramic technology gained through years of observation and experimentation…. She has set the standard for the current fashionable use of historical references in the field of ceramic arts.[1]”
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Creator:Michelle Erickson Pottery Inc.(Artist)
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Dimensions:Height: 4.5 in (11.43 cm)Width: 6 in (15.24 cm)Depth: 4.5 in (11.43 cm)
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Style:British Colonial(In the Style Of)
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Materials and Techniques:CeramicDelftPotteryStonewareFired,Glazed,Hand-CraftedHand-PaintedPaintedPolychromed,Turned
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Place of Origin:United States
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Period:21st Century
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Date of Manufacture:2022
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Production Type:New & Custom(One of a Kind)
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Estimated Production Time:Available Now
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Condition:New
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Seller Location:Hampton, VA
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Reference Number:Seller: LU9545237596142
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